#8 – Janvier / January 2026

Vincent Broqua
Rumors: Where do I even begin?

  I. Slowly just to say

Between

A.

And

B.
– how are you?
– I’m good and you?
– good, you?
– good, thanks
see? I’m just relaxing
on the beach here
tryin’ to
– ah excellent
so am I

C. Going against the image
Of a certain form of the image
Aggressively whitens out
Its representational function
Into a formlessness

D.
– what are you doing?
– you see I am here
– I know, I’ve been looking at you
– looking good?
– for what?
– for nothing
– looks good
– just trying to relax
just waiting

E. Just like poetry pays
Attention to the space
Between the words or
The interstices between
Them, I look at the reserves
Of tenderness between
Your shirt and your skin

F.
Between pen
And ink
Between sock
And brief
Between word
And skin
Between spit
And presence

G.
– okay?
– okay!
– you sure?
– sure, you?
– sure as well
– okay then let’s
do it
– come on then

H. “It is silly to
Say so but
I say it still
So what?”

I. That’s the
Main interest
The gap between
The crack

J.
Between your
Eyes and your gaze
Your tongue
And your licking
Between your legs
And your thighs bet
Ween your speed
And my end
Urance

K. “Collective imagination is more
Powerful than that of a single individual”

L.
Is obeying
The laws of
Your country
Enough to
Be just?
Can you
Separate
Your powers?

M.
Between me
And you
Between love
And life
Between my writing
And my doing
Between your saying
And your being
Between yr body
And my body
Between my weakness
And your giving
Between our affairs of state
and their backroom
Between domestic affairs
And their disclosure

N.
– as I said nothin much
just relaxing
– so nothing to say, right?
– nope, not like that
– like that what?
– I don’t know like that
that big question
like that
– oh ok, so then
what’s a good question?
– I don’t know, I
just don’t want to
be summoned
– oh but man
I was just tryin t…
–  hey buddy relax
nothing to do with you
I’m just on the beach
half naked looking at
my life
– so it’s between you
and yourself
– I don’t know
about that

O. Art is when you do it anyway

P.
The space between
My love and your love
Between what
I have to give and
What you want to receive
The space between
My face and your
Face my tongue
In it and your
Tongue in my mouth
Your arms in my
Arms my tongue
On the tip of your
Cock

Q. “Some people exhibit
Devotion and abstinence
And when you utter words
Such as vagina, cock
And intercourse, these
Persons are disgusted and
Become defensive; And in
Most of these persons, abnegation
Knowledge and nobility are
Only rivalled by artifice”
Al Jahiz (776-869), Ephèbes et courtisanes

R.
– but so how do you feel?
– fine and you?
– fine thank you
– so, what do you think?
– think what about what?

S. A fragment of him
Again undercutting
The master narrative

T. How does it
Move still?

  II. recording

U. rumors
everywhere you hear
a fear of trans and homos
and lesbians and gays
and non-binary people
you hear that it is
a grave danger
for society that
kids are contaminated
by a form of sexual ideology it is
as if a moral panic was spreading
on language-machine platforms
such as “people don’t make
babies anymore, who will
care for us” (two of my
colleagues at the university
actually told me so this year)
“kids are contaminated by trans
ideology, it is criminal”
“gays are terrorists
let’s fight terrorists”
in the 50s it was called
lavender scare it’s coming
back

V. instructions
look and record
prepare a field recording in a random street
sit down and note down what you see and hear

W. field recording #1 – (Toulouse)
A woman, a woman, and a man, chatting, the second woman calls the first ‘sister’
A man and a woman holding hands
A woman, a man, holding hands and kissing
A man, a woman, holding hands, they kiss
A family of 4, the parents are man and woman, the kids say “maman”, “papa”
An elderly lady, an elderly man, a woman and a man, kids, the man calls the elderly lady ‘mummy’
A dog on a leash, a man on a leash, a woman just behind (the man uses the feminine “ma chérie”)
A young woman kissing a young man
Yet another hetero couple holding hands
A woman on a bike slightly ahead of a man
An elderly lady with a basket full of vegetables, an elderly man by her side
Two men who look exactly alike (twins?)
7 kids running around, their parents behind, scolding them gently
A man standing on a bike talking to another man about a girl
A teenage boy kissing a teenage girl
Another teenage girl and another teenage boy
A man sitting on a bench speaking to a woman next to him

X. field recording #2 – in Paris in the Luxembourg gardens
A man and a woman
A woman, a woman, a man and a man (visibly doing what hetero married couples do)
A man and a man (in love)
A woman, a kid, a man, a man (older), a woman (older), the kid says “granny” to the woman
A group of young men talking to young girls (flirting)
Four men in military attire
A family of 6, man, woman, 4 kids in skirts & white socks and pants for boys
A woman kissing another woman
An old man talking to a younger man, visibly his son
Pram 1 and pram 2, pushed by Mom1 and Mom2, and dad1 and dad2 talking far from the prams
Two bearded middle-aged men seated on a chair, one of them has a pearl earring
A man and a woman in running clothing running
A man and a dog
A woman, a man, and a dog
A woman, a man, a kid and a dog
A family of 4 seated on chairs
A group of young persons talking to each other on chairs
A man and a big dog walking
A man and a woman with a puppy meeting another puppy on one end of a leash with a man
and a woman on the other end of the leash (he introduces his “wife” to the other couple)
A man and a woman saying “my love”
A woman and a man flirting
A non-binary young person walking with an older person, at one point the non-binary person says “daddy” to the other person
A god, a dog, and a woman

Y.
Where are all the terrorists?

Z.
I probably need to go
To the countryside
That’s where they
Must be

  III. Too much like saying /
  too much like anger

Each time his look his landscape
Gardener writer self
His gay lips move
“hello how are
You?” and
His way to
Say my
First name
As the art
Of caressing
That’s probably how
He takes care of plants
And words

Empty spaces
Glitches
Tear
Breach
Aperture
Scratch

– how are you
– I’m ok, you?
– hey come here
let me hug you
– come then
give me a hug
– you’re good then?
– yes I …
– not taking a plunge?
– no just looking
– not even looking at these guys
they’re so gorgeous?
– no I don’t think so
– ok that sounds great
– I’m just relaxing
– yes relaxing
– that’s how I tend to
disappear

“In a way, poetry really does require failure,
because failure produces space. That nobody else wants.
Poets as a group hate success” (Eileen Myles, Inferno)

Between
yr (soft) voice
yr (baritone) timbre
yr (gentle) demeanor
yr skin (rough)
yr (self-affirming) ginger-self
yr (beguiling) smile

– how can you be
so gentle?
– what do you mean?
– look at you, here
like this, just like this
– what?
– I don’t know, your body
– my body, what about
my body? I don’t think
it’s that remarkable
– but look at you
just like this, on your
towel your arms gently
reclining like this as if
this is an offer?
– offer, in what sense?
like a present?
– oh but like this
like when you just touched
me your self-confidence
– I don’t think so

but you can touch my hand
between skin and skin
and hair between skin and hair
and skin and biceps and fingers and
belly and abs and briefs and speedos
and fingers on fingers and skin and hair
and nakedness and saliva and tongue and
between you and me spit fluids and everyone

“As if it were
How artificial art
Works in fact”

– but no one
understands
– they want joy
– I say “joy, why?”
that’s too
absolute
so called pure
– too much like
saying “authentic”
– why not gayety?
– you can do many things
with it, it’s like having sex
and being in love many times
not with joy
– joy is too much like
anger I don’t
like it
– me neither,
I don’t

Toulouse-Paris, 2026